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Have you experienced it? The moment when everything you held on to turned to powder and dust, or confetti and fireworks. During a night or a bottle of wine, or just a split second - when your whole life suddenly turns upside down. We all visit that moment again and again.

MEGAMEGA is about people who are in the middle of a crossroad, where the world suddenly opens up, closes or collapses in front of them.

There is always a before and an after. In MEGAMEGA, the Krumple collectively explores these specific moments of total change and confusion with the only tools that we believe can help - imagination and enchantment. In a board game of human scale, full of surprises and magic.

Concept and co-direction: Vincent Vernerie. Co-creators and performers: David Tholander, Léna Rondé, Oda Kirkebø Nyfløtt, Maja Bekken and Vincent Vernerie. Outside Eye: Jo Even Bjørke. Costume design and scenography: the Krumple. Composer: Marte Røyeng. Lighting design: Markus Tarasenko Fadum. Magic Consultant: Kevin Lunde. Choreographic Assistance: Catherine Béziex. Sound technician: Michael Dahlen. Stage manager: Sigrun Breck Oustad. Stagehand: Eugenio B Morales. Set painter: Barbro Bekken. Producers (NO): Kari Dæhlin / the Krumple. Producers (FR): CM Culture / Collectif Krumple. Set, props and costumes produced by: Teater Innlandet. Co-produced by : Teater Innlandet. Supported by: Arts Council Norway, Fund for Sound and Image, SPEDIDAM.

Photos : Magnus Skrede.

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L’avez-vous vécu? Le moment où tout ce en quoi vous croyez se transforme en fumée, ou en confettis et feux d'artifice ? Au cours d'une soirée après une bouteille de vin, un petit matin au réveil, ou juste en une seconde - et toute la vie est sens dessus dessous

MEGAMEGA parle de personnes qui sont confrontées à un grand virage, un moment où le monde s'ouvre, ou se referme, ou s'effondre soudainement.

Il y a toujours un avant et un après. Dans MEGAMEGA, le collectif Krumple explore ces moments spécifiques de bouleversement total et de confusion, avec les seuls outils qui peuvent aider - l'imagination et l’enchantement. Pour cela, ils transforment le plateau en un jeu de société à taille humaine, rempli de surprises et de magie, et y jouent à la manière de pions humains des destins qui vont basculer.


Concept et co-mise en scène: Vincent Vernerie. Co-créateurs: David Tholander, Léna Rondé, Oda Kirkebø Nyfløtt, Maja Bekken et Vincent Vernerie. Regard exterieur: Jo Even Bjørke. Scenographie: the Krumple. Création lumière: Markus Tarasenko Fadum. Costume design: the Krumple. Administration (NO): Kari Dæhlin/the Krumple. Administration (FR): CM Culture/Collectif Krumple. Co-produit par: Teater Innlandet. Soutenu par: Arts Council Norway, Fond for Lyd og Bilde et la SPEDIDAM

Photos : Magnus Skrede.

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Reviews .. La Presse
Klassekampen

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« Expressive and almost without words, The Krumple gives us a well-played and entertaining performance that never ceases to surprise, about pure existential questions. It is beautiful, humorous, it is visual, and it is performed to illustrative and fine music scores, from Mozart to Daniel Herskedal. »

« (...) this is a performance where the aftertaste is unusually large, and where the impressions come to you long after the carpet falls. »

Amund Grimstad, Klassekampen.

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« Expressive and almost without words, The Krumple gives us a well-played and entertaining performance that never ceases to surprise, about pure existential questions. It is beautiful, humorous, it is visual, and it is performed to illustrative and fine music scores, from Mozart to Daniel Herskedal. »

« (...) this is a performance where the aftertaste is unusually large, and where the impressions come to you long after the carpet falls. »

Amund Grimstad, Klassekampen.

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Hamar Arbeiderblad

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“Then it's good to have a theater to go to, to wander off, a little skeptical, even a little anxious, sit quietly in the dark - and watch professionals open the door to life itself - and maybe even go home quite satisfied again. Maybe even look around a bit, at people in the street - and think to yourself: "Who am I without you?"

Remi Laakso, Hamar Arbeiderblad.

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“Then it's good to have a theater to go to, to wander off, a little skeptical, even a little anxious, sit quietly in the dark - and watch professionals open the door to life itself - and maybe even go home quite satisfied again. Maybe even look around a bit, at people in the street - and think to yourself: "Who am I without you?"

Remi Laakso, Hamar Arbeiderblad.

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Gudbrandsdølen Dagningen

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“A storyline that is not unambiguous, but to a large extent invites everyone in the room to sense, experience, interpret and understand. The absence of verbal speech then also sharpens the concentration. It is not often that during a theater evening I have become so aware of details and expressions in the movements as in "Megamega". Nor has an ensemble and a play demanded so much from me. After the carpet fall and the applause ended, I went out richer in the spring air.”

Per Ivar Henriksbø, Gudbrandsdølen Dagningen.

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“A storyline that is not unambiguous, but to a large extent invites everyone in the room to sense, experience, interpret and understand. The absence of verbal speech then also sharpens the concentration. It is not often that during a theater evening I have become so aware of details and expressions in the movements as in "Megamega". Nor has an ensemble and a play demanded so much from me. After the carpet fall and the applause ended, I went out richer in the spring air.”

Per Ivar Henriksbø, Gudbrandsdølen Dagningen.

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The project is a co-production with Teater Innlandet, and is supported by Norsk Kulturråd - Arts Council Norway, Fund for Sound and Image and SPEDIDAM.

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Le spectacle est une coproduction avec Teater Innlandet. Il a été créé avec le soutien du Conseil des Arts de Norvège, du Fund for Lyd og Bilde et la SPEDIDAM

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